Kemi Adeyemi’s dissertation explores how blackness is articulated in Chicago’s gentrifying landscapes where black music and sound are integral to the cultural experience of “urban renewal,” particularly within hipster culture, even as black people are few and far between. This ethnographic project follows a small population of black so-called hipsters who circulate in the queer dance party scene of a gentrifying neighborhood and details how micropractices of gesture, clothing, dance and affect animate racialized expectations and assumptions of both “hipster” and “black.” In the process, Kemi’s project explores how racialized ways of seeing the city impact ways of being in the city, and vice versa.
Misty De Berry
Misty Michael De Berry is a theatre and performance artist who is interested in embodiments of power, authority and desire within pedagogical and other socially transformative processes. She is especially interested in queer and gender nonconforming artists-activists-scholars of color who are engaged in processes of healing from sexual, spiritual and other forms of systemic violence and oppression. Her research interests include Restorative Justice Frameworks, Transformative Pedagogies, Transnational Feminisms, Feminists Psychoanalytics, Somatic Psychology, Queer Studies, Black Sexualities, Spiritualism, Folk Healing, Ritual and the Americas.
Andrew James Brown
Research: queer memory practices in diaspora, genocide, and refugee conditions; re-emergence and resilencing in commemoration, musealization, and monument building.
Performance: exploring the line of appropriation in theories of epic memory and the ability to remember what belongs to another time, space, and identity.
Research Interests: Mixed-race cultural production and performance in everyday life; racial epistemologies (especially "post-race" rhetoric); affect and identity.
Meiver De la Cruz
Research Interests: Dance studies, queer theory, marxist feminism, globalization studies, ethnic/American studies, circulation of cultural practices, diasporic performance, intersections of race, gender, sexuality, and political economy.
Eddie Gamboa is interested in the performative history of queer identities and sexual practices in relation to border rhetorics. Of particular interest are developing digital performance technologies which enable new patterns of community formation and individual mobility, while paying attention to the ethics of documenting groups which have historically maintained their agency through by relying on the ephemerality of their performances.
Interests: Contemporary circus as a multidimensional performance space where varied forms of circus tradition and popular culture are being reinterpreted for global audience’s consumption. The politics of labor practices in the itinerant circus. Aesthetic in circus and the connotations of transgression, grotesquery and bestiality historically associated with traditional circuses.
Kareem’s research focuses on queer South Asian performance at staged events, in nightclub spaces, and in everyday life. His dissertation work is a multisited ethnography based in Chicago, U.S.A, and Bangalore, India. He also consistently performs in cabarets and drag shows, works with Chicago based theatre companies, and workshops his solo show, “Material Boy: An adaptation of queer South Asian fiction.”
Rae is interested in queer performance artists/troupes that embody the grotesque as an aesthetic to construct sexual/gender/national identities, and how their practices complicate normative LGBTQ politics and boundaries of the human body.
Mario’s dissertation project explores the process by which Haitian creative practitioners (dis)articulate facets of Haitianness. He illustrates this by demonstrating how Franco-Haitian singer Toto Bissainthe (1934–1994), Haitian-American novelist Edwidge Danticat (b. 1969), and Haitian choreographer Jean-René Delsoin represent the folk in music, dance, spoken word, literature, and visual arts. He specifically investigates the ways in which they question images of the folk as the "ethnic" Haitian body that has been metonymic of these remembering expressive practices.
Research interests: performances of patriotism and national identity in the United States, affective and embodied formations of patriotic collectives, disciplining structures of military training as identity formation.
Jonathan's research interests include queer, critical race, and feminist theories; Filipino and Filipino/American studies; politics of desire; and visual culture.
Research interests: Political economy of theater and performance landscapes; arts policy; dialogue among cultural histories and normative historical narratives.
Andreea's current research project focuses on Muslim and Arab American stand-up comedians post 9/11 and examines the ways in which they employ humor to engage current stereotypes about Muslims and Arabs circulating in American society. This projects looks specifically at comedy and activism and explores the potential of stand-up comedy to invert and comment upon hegemonic discourses of Islamophobia. Andreea received her B.A. in Journalism and Communication in 2003 from the Universidad Carlos III de Madrid in Spain. She received her M.A. in Performance Studies from Texas A&M University.
A contemporary dance and physical theatre performer and choreographer, Mbongeni is also an actor, director, designer and puppeteer, and is particularly interested in site-specific multimedia performance art works. His research focusses on postcolonial black modernities, the politics of intimacy, affect and belonging, and the spatial modalities of race, ethnicity, gender and class in post-apartheid South Africa.
Luis Morales Villalba
Luis is currently interested in the performances of identity, citizenship, and cultural memory. His research aims to look at how queer diasporas—specificallyLatinas/os in the U.S.—perform, re-imagine, and negotiate ideas and spaces of “home” through performance and visual culture.
Research Interests: concepts of freedom and development, political economy, home and healing in diasporic oral histories and performances, black feminisms, postcolonial feminisms, critical performance ethnography, social justice and human rights.
Shoniqua Roach researches black female performance studies, African-American Literature and Culture, Hip-hop, Gender and Sexuality, black feminisms, Political economy, and Body politics. She is currently working on a cultural history of black female performance, which explores black women's performance work from antebellum black women's performative strategies of resistance to black women's contemporary performances of "thickness" in popular culture. Shoniqua received her BA in English from Pennsylvania State University, where she participated in the 2009 Summer Institute for Literary and Cultural Studies and the 2010 Practicum in Advocacy at the United Nations International League for Peace and Freedom. She recently earned her MA in English from the University of Florida.
Research interests include: queer activism, critical utopianism, narrative and queer world-making, and theories of the commons.
Arif’s work looks at how African-rooted performance genres sustain and disrupt social hierarchies in contemporary practice. His research interests include dance and music studies, contemporary African and African diasporic performance, cultural fiction, ethnography, identity-making, affect, and digitality.
Leila's research centers on the constitution of gendered identities and structures via music in 2011-2012 revolutionary Libya. Areas of interest include phenomenology, dance studies, feminist and queer theory, diaspora and "return."
Rhaisa research interests include: black women's travel; deviancy; politics of respectability; alternative space making practices; destabilizing "home" and "motherhood;" oral history performance.
Soo Ryon Yoon
Soo Ryon’s current research interests are in the intersectionality of nationalism, political economy, race (with particular attention to the concept of “blackness” circulating in AfroAsian context), and gender in South Korea, and its manifestation through performance including dance practices in the era of globalization. She sees performance as a site where South Korea’s nationhood and its ideology are manifested, revealed, and contested. Before coming to Northwestern University, she was an administrative manager and curator for Seoul International Dance Festival among other performing arts festivals inSouth Korea. Soo Ryon has also worked closely as an activist, coordinator, and freelance translator with South Korean feminist NGOs including Unninetwork.
Justin is a sound designer, percussionist, and hip hop music producer interested in the correlations of art, activism and identity. His research focuses on community-based performance as radical pedagogy, and the performance of protest in the DREAM Act movement.